![]() Sections include: The Opening Reel, Thanks for the Memory, Isn't It Romantic?, The Heat Is On, The Envelope Please, Give My Regards to Hollywood. You'll enjoy all the memories, the romance, and the adventure as the cinema comes alive. Spanning eight decades of movie magic, the six flexible sections are easily adaptable to a variety of staging options and can be accompanied with live instruments or the professionally-recorded CD. theuncolafm OrangePaulp Aint no salsa high enough? reallyviktoria JerryW圜o kirkland24 Oh snap.Mac Huff : Cinemagic! - Hollywood's Best Movie Music (Medley)Ĭelebrate the silver screen and Hollywood's musical history in this choral revue by Mac Huff. Sam by Olivia Newton-John 1977) /0/sam… ForeignerMusic Did I win? lincolnfingroup This company sucks. Breakdown By Tom Petty & the Heartbreakers (Shelter, 1978).Muskrat Love by Captain & Tennille (A&M, 1976).Baby Hold On by Eddie Money (Columbia, 1978).My Best Friend’s Girl by The Cars (Elektra, 1978).Lucille by Kenny Rogers (United Artists, 1977).Nowadays he releases music videos on You Tube and has become an attraction at various conservative political events. I have a fan-created blog page not affiliated with Ray Stevens called the Ray Stevens Music Journey for all those who want to discover the career and music of Ray Stevens. ![]() Ray, in the end, wound up doing his version of “Raindrops…” and it appears on his “Everything Is Beautiful” album from 1970. Thomas ended up recording “Raindrops Keep Fallin’ On My Head” and it became a #1 hit. That particular song, written by Kris Kristofferson, became a #1 hit for Johnny Cash in 1970. Ray’s clean-cut image was in contrast with the song’s storyline and it wasn’t a commercial hit. The song that was all ready to be released was his version of “Sunday Morning Coming Down”. This all took place in 1969 when Ray was on Monument Records. Secondly, he had a song on the verge of being released as a single and didn’t want to halt it’s release. First, Ray wanted to change some of the lyrics. When Ray was approached with the song by Burt there were two reasons that prevented the recording. If people were more aware of how good of a singer Ray is and seek out his serious work it wouldn’t be a surprise that Burt Bacharach would approach a “novelty singer” with the opportunity of recording a movie song. The media labeled Ray a novelty artist even though he recorded a LOT of non-comical songs throughout the ’60s, ’70s, and ’80s. “Ahab the Arab” isn’t the only song Ray sang during the ’60s. Ray can sing comedy and serious material. Nothing’s worryin’ me.‘ touched a nerve with everyone living through a turbulent time. Even the squares may have liked this one, I’m sure a line like ‘ because I’m free. Betcha Jimmy Webb was jealous of its effective simplicity. And of course there’s the jazzy ‘slight return’ at the end. I just love the way it falls in to the song, even the 2nd time when Herb Alpert does his patented trumpet solo. I’ve always dug this tune, especially the bridge. When his throat was finally he recorded the version heard on the radio, which was a little smoother. ![]() Lucky for BJ (Really? Couldn’t stick with Billy Joe?) that he recorded for the same label as Bach & David’s muse, Dionne Warwick or he might not have been given the chance.īy the way if you watch that scene and notice that the vocals sound different than on the 45, that’s because BJ recorded those while dealing with laryngitis, adding naturally a Western rasp to his vocals. ![]() Even the fact that Bacharach & David were scoring a Western was kind of funny, given their pedigree of jazzy cocktail pop. The song, recorded and release at the end of 1969, sounds appropriately like a 60s tune. And he thinks the guy who sang Ahab the Arab should sing Raindrops.? And this is with Burt spending countless hours on set and watching dailies of the bike-riding scene writing music that would fit. (Ray would have his first #1 later in the year with the ultra-serious, Everything Is Beautiful) It definitely wouldn’t have worked. Supposedly Burt approached novelty singer Ray Stevens about singing it. (What do you mean you haven’t seen this film? Put down your Twilight DVD and go out and rent it now!) In addition to spending the first month of 1970 on top, it also won an OScar for Best Song, a marked improvement over past winners, Born Free & If I Could Talk To the Animals.ī.J.’s mix of easy-going vocals with a hint of gruff soul made him the perfect singer for this song. Once you hear that opening ukulele lick, you immediately can visualize Paul Newman riding around on his bicycle. Written by Burt Bacharach & Hal David, it was written & recorded for the film, Butch Cassidy & the Sundance Kid. This was the first song to hit #1 in the 70s and the first of 2 for Billy Joe Thomas.
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